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  1. en.wikipedia.org › wiki › Amelia_OpieAmelia Opie - Wikipedia

    Amelia Opie (née Alderson; 12 November 1769 – 2 December 1853) was an English author who published numerous novels in the Romantic period up to 1828. A Whig supporter and Bluestocking, [1] [2] Opie was also a leading abolitionist in Norwich, England.

  2. Início da vida e influências. Carreira literária. Seleção de obras. Referências. Bibliografia. Amelia Opie (12 de novembro de 1769 - 2 de dezembro de 1853) foi uma escritora inglesa que publicou numerosos romances no período romântico. Opie foi também uma destacada abolicionista em Norwich, Inglaterra.

  3. 3 de mai. de 2024 · Amelia Opie (born November 12, 1769, Norwich, Norfolk, England—died December 2, 1853, Norwich) was a British novelist and poet whose best work, Father and Daughter (1801), influenced the development of the 19th-century popular novel. Opie was the daughter of a physician.

  4. British Romantic poet, novelist, and playwright Amelia Opie was born and raised in Norwich. The only child of a physician, she studied music and French as a child. Her mother died when she was 15, and she published her first novel, The Dangers of Coquetry (1790), anonymously at the age of 21.In…

  5. Welcome to the revised Amelia Alderson Opie Archive, a site designed to make available the scholarly resources essential for the study of the life and works of Amelia Alderson Opie (1769-1853), a woman writer who has emerged as an important figure in scholarship concerning literary culture in the Romantic and early Victorian periods.

  6. This section of the archive provides a guide to Opies works. Those published in volume form have been grouped together by genre, and for each volume you will find a list of editions (both contemporary and modern) and of contemporary reviews with links to full-text versions to help you to assess the critical reception of these works.

  7. Tracing out the stages of the reception history of Amelia Opies poems, this essay shows that changes in assumptions about sensibility and women’s poetics whereby they came to be gendered “feminine and weak” reduced the political power of Opie’s poetry.