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  1. 29 de set. de 2023 · It wasn’t long before Siddal held the interest of other members of the Pre-Raphaelite Brotherhood. One artist, in particular, found himself fascinated with the red-headed stunner's appearance— Dante Gabriel Rossetti. As the co-founder of the famed group, it wasn't long before Elizabeth took advantage of her admirer's fanciful whim.

  2. 16 de jul. de 2021 · Elizabeth Siddal estaba a punto de conocer a los fundadores de la Hermandad Prerrafaelita. Su futuro cuñado, el escritor William Michael Rossetti (1829-1919), la describió como; “Una de las criaturas más bellas con un aire entre dignidad y dulzura con algo que excedía la modestia y la autoestima.

  3. 4 de jul. de 2018 · The body of Ophelia floats on the water, the newly collected flowers scattered around, the face frozen in her last breath. Sir John Everett Millais, Ophelia, 1851-2. But not everyone knows the story of the woman portrayed in this picture. Pale skin, blue eyes and red hair, Elizabeth “Lizzie” Siddal was 23 when she posed for Millais.

  4. Nos encontramos ante el espléndido autorretrato de tipo busto de la artista Elizabeth Eleanor Siddall (Hatton Garden, Londres, 25/7/1829-Chatham Place, Londres, 11/28/1862). Ejecutado en formato circular y con ausencia de planos compositivos, tenemos, enmarcada en un fondo liso, la hermosa imagen de la pintora en posición de tres cuartos.

  5. Elizabeth Siddall foi a modelo para o cadro de 1851-52 de Sir John Everett Millais Ophelia. Siddal, que tiña como apelido orixinal Siddall (foi Rossetti quen eliminou o segundo "l"), foi descuberta por Deverell en 1849 mentres traballaba como modista de chapeus nunha tenda de Cranbourne Alley. Nin ela nin a súa familia tiñan aspiracións ou ...

  6. 7 de set. de 2021 · Gostaríamos de exibir a descriçãoaqui, mas o site que você está não nos permite.

  7. 7 de out. de 2022 · Elizabeth Siddal was a much-favorited model for the Pre-Raphaelite Brotherhood, posing for such iconic pieces as John Everett Millais’ 1852 painting Ophelia. But she was also a talented artist and poet in her own right, and her tragic death was overshadowed by macabre events concerning both her mortal remains and her husband, Dante Gabriel Rossetti , seven years after she was buried.