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Critics and fans agree: Stranger on the Third Floor is the little B picture that launched one of the greatest movements in cinema history: film noir. Peter L...
No julgamento de um assassino, um repórter é a testemunha - chave e acaba sendo responsável pela condenação de um homem inocente. Aos poucos, ele começa a se sentir culpado e acaba sendo perseguido por pesadelos e pelas lembranças das juras de inocência do homem que ajudou a condenar. Dirigido por Boris Ingster, O Homem dos Olhos ...
Stranger on the Third Floor (1940), an obscure B movie from RKO Studios, has its place in movie history as the first film noir. More than just a possible influence on the flood of dark, urban crime dramas about to follow en masse (as a B film, its "influence" on anyone at the time is debatable), it marked, as author Robert Porfirio has written, "a distinct break in style and substance with the ...
An aspiring reporter is the key witness at the murder trial of a young man accused of cutting a café owner’s throat and is soon accused of a similar crime himself.
7 de jun. de 2015 · Stranger on the Third Floor is a fascinating artifact from the great age of film noir. (In fact, it has been cited as the very first ever film noir). It has a minor reputation, although nothing that prepares one for what an extraordinary film it turns out to be. The way it starts out, the film seems like it is going to be a B courtroom drama.
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This classic but sometimes overlooked film is generally considered the first film noir, with its extraordinary, radically new look and tone, the product of stylized sets, bizarre angles and lighting, and a powerful blurring of dream and reality--qualities strongly influenced by German expressionist films of the 1920s.
