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Emerging from distant depths in a halo of light, monsters are thrown to earth as from a breaking wave. Angels combat them, led by St Michael, thin as a rake in his golden armour, striking with his sword at the dragon with the seven crowned heads on which he has his foothold. The combat of the archangel with the fallen angels is described in the ...
BRUEGEL, Pieter the Elder. (b. ca. 1525, Brogel, d. 1569, Brussel) The Fall of the Rebel Angels. 1562 Oil on oak, 117 x 162 cm Musées Royaux des Beaux-Arts, Brussels. Bruegel painted this picture when he was still living in Antwerp and supplying drawings to the engraver Hieronymus Cock. Turning his back on the then-dominant Italian models, he ...
The Fall of the Rebel Angels Luca Giordano 1660/1665. Kunsthistorisches Museum Wien Vienna, Austria.
Archangel Michael leads the angels of Heaven against the rebel angels, who follow Satan. Ricci portrays with great exuberance the moment when St. Michael drives the fallen angels from Heaven. The light radiating from the upper left quadrant illuminates St. Michael while casting the fallen angels into darkness, offering a poignant juxtaposition between virtue and vice.
7 de jul. de 2023 · The Fallen Angels in The Fall of the Rebel Angels (1562) by Pieter Bruegel the Elder; Pieter Brueghel the Elder, CC BY-SA 2.0 FR, via Wikimedia Commons The contrast between light and dark is also demonstrated by the angel in the stark white robe to the left of the composition who appears, seemingly, as a white light among the darker figures.
The Fall of the Rebel Angels. The subject of the painting derives from a Christian story in the New Testament of the Bible (Revelations 12:9). Sebastiano Ricci (1659-1734) captures the moment that the ‘great dragon’, Satan, and his angels ‘were cast out onto the earth’. The Archangel Michael appears heroic, dressed in armour with ...
The Fall of the Rebel Angels by Pieter Bruegel the Elder is one of the masterpieces at the Royal Museums of Fine Arts of Belgium. The Royal Museums acquired the painting in 1846 thinking it was the work of his son, Pieter Brueghel the Younger. The work was then attributed to Hieronymus Bosch (1450-1516) until 1898 when the date and signature ...
