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19 de out. de 2017 · In hindsight, it proved to move her career forward. On a trip to Japan with her younger daughter in 2009, Simmons encountered a Japanese “love doll”—a life-sized and highly realistic latex mannequin designed for sex and companionship. Simmons was intrigued. She began dressing these dolls in various costumes and photographing them posing ...
9 de fev. de 2016 · Laurie Simmons’s first major success as an artist came in 1987, when she began shooting inanimate objects — guns, cakes, perfume bottles, an accordion — on human legs. That work earned her a gallery and a place in the MoMA’s permanent collection, and she and her friend Cindy Sherman were dubbed “The Pictures Generation.”
In the 1970s Simmons was at the forefront of a new generation of artists pursuing the uncommon artistic tradition of staging fictional scenes to be photographed. Simmons’ work is characterised by her use of dolls and miniature objects. From 1975, Laurie began to photograph her dolls in evocative ‘noirish’ black-and-white scenarios.
1997. Cafe of the Inner Mind. 1994. The Music of Regret. 1991 – 1994. Clothes Make the Man. 1990 – 1992. Walking & Lying Objects. 1987 – 1991.
16 de nov. de 2018 · “Reviews: Laurie Simmons at Metro Pictures, New York” By Elizabeth Hayt-Atkins March 1990. Laurie Simmons’ latest photographs are tongue-in-cheek critiques of media stereotypes of women.
Laurie Simmons always starts with an idea—usually something in the world, something that she wants to see. “Then [the artwork] becomes very grounded in a kind of reality: my reality. But the way something eventually looks—that’s all intuition, alchemy, magic.
Simmons is currently working on a retrospective exhibition that will open at the Modern in Fort Worth in 2018 and The MCA in Chicago in 2019. She lives and works in Brooklyn, NY and Cornwall, CT with her husband, the painter Carroll Dunham. Laurie Simmons is an internationally recognized artist. Since the mid-70s, Simmons has staged scenes for ...
