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O gângster Albert Spica (Michael Gambon) janta todas as noites no restaurante Le Hollandais em companhia de seus capangas e sua esposa Georgina (Helen Mirren). Cansada dos modos violentos e grosseiros do marido, Georgina flerta com um solitário Michael (Alan Howard). Com a cumplicidade do chefe de cozinha Richard (Richard Bohronger), os dois amantes fazem sexo às escondidas no banheiro e na ...
Set almost entirely in a French restaurant, this bold, controversial film follows the exploits of a ruthless British gangster whose long suffering wife forges a relationship with one of the restaurant’s patrons behind his back.
The Cook, the Thief, His Wife and Her Lover is een Britse dramafilm uit 1989 onder regie van Peter Greenaway. Verhaal [ bewerken | brontekst bewerken ] Leeswaarschuwing : Onderstaande tekst bevat details over de inhoud of de afloop van het verhaal.
The Cook, the Thief, His Wife and Her Lover - Apple TV (AI) When churlish mobster Albert Spica (Michael Gambon) acquires an upscale French restaurant in London, he dines there nightly, effectively scaring off the clientele with his bad manners. His wife, Georgina (Helen Mirren), is especially disgusted by him, and soon begins an affair with ...
film. Kucharz, złodziej, jego żona i jej kochanek. The Cook the Thief His Wife & Her Lover. 1989. 2h 4m. 7,6 8 260 ocen. 7,61018260. 7,615 ocen krytyków. Zmęczona małżeństwem z prymitywnym bossem londyńskiego półświatka, Georgina spotyka w restauracji męża subtelnego bibliotekarza, z którym wkrótce wdaje się w namiętny romans.
6 de abr. de 1990 · The wife of an abusive criminal finds solace in the arms of a kind regular guest in her husband's restaurant. Peter Greenaway. Director, Screenplay. Reviews 1.
8 de abr. de 1990 · LOS ANGELES -- Helen Mirren remembers that she took a deep breath after she read the screenplay for "The Cook, the Thief, His Wife, and Her Lover," and then she thought, "Well, yes, it is a dangerous film. It's deep and complex and we're not skating around any issues. It's on the cutting edge, quite apart from the content -- look at the style of the filmmaking, the artificiality of it, the ...
