Yahoo Search Busca da Web

Resultado da Busca

  1. What is fascinating about A Letter to Three Wives is how the flashbacks never feel forced or unnatural. In fact, I think the distortion used to modulate each of their voices as the enter or leave their memories is quite revolutionary. There's almost a musical quality to whenever they go back to the past, and it's aided by Alfred Newman's score.

  2. A Letter to Three Wives While the picture is standout in every aspect, there are two factors mainly responsible for its overall quality. One is the unique story, adapted from a John Klempner novel ...

  3. Deborah Bishop, Lora Mae Hollingsway and Rita Phipps are three friends who all receive letters from another friend, Addie Ross, telling them that she is about to leave town with one of their husbands. Deborah, Lora Mae and Rita have to find out which of their spouses, Brad, Porter and George respectively, have been unfaithful. 100%. TOMATOMETER.

  4. 5 de ago. de 2019 · Each wife, via a messenger, receives a letter from their “best friend” Addie Ross (Voice of Celeste Holm), the community’s most desirable woman, a classy socialite, announcing that she is running away with one of their husbands: but she does not say which one. Thereby each wife, in a flashback, recalls her relationship with her hubby.

  5. A letter is addressed to three wives from their "best friend" Addie Ross, announcing that she is running away with one of their husbands - but she does not say which one. Joseph L. Mankiewicz. Director, Screenplay. John Klempner.

  6. 16 de abr. de 2015 · A stunning romantic drama from writer-director Joseph L. Mankiewicz (All About Eve, The Barefoot Contessa), A Letter to Three Wives explores the domestic tra...

    • 3 min
    • 8,7K
    • Eurekaentertainment
  7. 29 de set. de 2019 · A letter is addressed to three wives from their "best friend" Addie Ross, announcing that she is running away with one of their husbands...but she does not say which one. Based on a novel by John Klempner, the property was remade for television in 1985, with Ann Sothern back again in a supporting part.