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  1. Aspects of the Novel is the publication of a series of lectures on the English language novel, delivered by E. M. Forster at Trinity College, Cambridge, in 1927. Using examples of classic works by many of the world's greatest writers, he discusses seven aspects he deems universal to the novel: story, characters, plot, fantasy, prophecy, pattern, and rhythm.

  2. 10 de jul. de 2023 · His talks were witty and informal, and they consisted of sharp, penetrating bursts of insight rather than overly-methodical analysis. They were a great success. Published later as Aspects of the Novel, the ideas articulated in his lectures would gain widespread recog.

  3. 6 de dez. de 2021 · The novel is one of the many possible prose narrative forms. It shares with other narratives, like the epic and the romance, two basic characteristics: a story and a storyteller. The epic tells a traditional story and is a combination of myth, history, and fiction. Its heroes are gods and goddesses and extraordinary men and women.

  4. This book separates the seven components crucial to a novel: story, people, dream, plot, prophecy, pattern, and rhythm. Forster conveys this information in a straightforward and easy way mocking the "pseudoscholarship" of conventional literary analysis. After mentioning about a Shakespearean scholar, Forster begins to set his methodology.

  5. 23 de mai. de 2019 · Aspects of the novel, and related writings by Forster, E. M. (Edward Morgan), 1879-1970. Publication date 1974 Topics English fiction -- History and ...

  6. 7 de abr. de 2023 · That is the fundamental difference between these two aspects of the novel. A plot cannot be told to a gaping audience of cave men or to a tyrannical sultan or to their modern descendant the movie-public. They can only be [Pg 130] kept awake by "and then—and then——" They can only supply curiosity.

  7. 14 de abr. de 2019 · Categories: Literature, Novel Analysis. E. M. Forster’s (1 January 1879 – 7 June 1970) most systematic exposition of the novelist’s art, Aspects of the Novel, is no key to his own practice. Written three years after the publication of A Passage to India, the work surveys neither his achievement nor his intentions.