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  1. The Burial of the Dead. Dull roots with spring rain. Summer surprised us, coming over the Starnbergersee. With a shower of rain; we stopped in the colonnade, And went on in sunlight, into the Hofgarten, And drank coffee, and talked for an hour.(화자 바뀜) Bin gar keine Russin, stamm’ aus Litauen, echt deutsch.

  2. And the dry stone no sound of water.Only. There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either. Your shadow at morning striding behind you. Or your shadow at evening rising to meet you; I will show you fear in a handful of dust.

  3. La terra desolata riflette la frammentazione dell’individuo e della società, un tema centrale del modernismo, mostrando come l’ alienazione pervada le relazioni umane, la religione, e la cultura. Il poema esplora la disperazione esistenziale degli individui in cerca di significato in un mondo caotico e indecifrabile.

  4. La terra desolata ( The Waste Land) è un poemetto del 1922 di T. S. Eliot. È probabilmente l'opera più celebre del poeta anglo-americano, vissuto tra Ottocento e Novecento, ed è considerata uno dei capolavori della poesia modernista. La prima pubblicazione apparve sulla rivista The Dial [1] e senza le note di Eliot, sulla rivista The ...

  5. Waste Land” são exemplos do estranhamento dos clássicos em Eliot. Palavras-chave: T. S. Eliot, tradição, notas, estranhamento. 1 – Introdução Ao avaliar sua recente participação na Flip, a escritora argentina Pola Oloixarac relembrou, em particular, o momento em que estabeleceu uma comparação entre a

  6. The Waste Land, first published in 1922, is arguably the most important poem of the whole twentieth century. It remains a timely poem, even though its origins were very specifically the post-war Europe of 1918-22. Written by T. S. Eliot, who was then beginning to make a name for himself following the publication (and modest success) of his ...

  7. The Waste Land is an influential and experimental 435-line poem written by Thomas Stearns Eliot and first published in 1922. Structurally, it is a pastiche of different verse forms, both traditional and contemporary. The poem is richly allusive and polyvocal. It contains several different languages, as well as allusions to texts as diverse as ...

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