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Maurice de Vlaminck begon zijn loopbaan als beroepsmatig wielrenner. In 1896 stopte hij met wielrennen en ging vioolles geven. In 1900 schilderde hij samen met André Derain in de buurt van Parijs. In 1901 bezocht hij een tentoonstelling van Vincent van Gogh in galerie Bernheim. De Vlaminck was erg onder de indruk van deze tentoonstelling.
Italiano. Maurice de Vlaminck. Rebell der Moderne. 14. September 2024 – 12. Januar 2025. Die Ausstellung Maurice de Vlaminck. Rebell der Moderne ist die erste postume Retrospektive, die dem Fauvisten und prägenden Künstler der französischen Avantgarde an einem deutschen Museum zuteilwird. Anhand von etwa 70 ausgewählten Exponaten ...
モーリス・ド・ヴラマンク. モーリス（モリス）・ド・ヴラマンク （Maurice de Vlaminck 発音例, 1876年 4月4日 - 1958年 10月11日 ）は、 フォーヴィスム （野獣派）に分類される 19世紀 末～ 20世紀 の フランス の 画家 、 文筆家 。.
Maurice de Vlaminck (n. 4 aprilie 1876, Paris, Franța – d. 11 octombrie 1958, Rueil-la-Gadelière, Centre-Val de Loire, Franța) a fost un pictor și publicist francez, unul din reprezentanții principali - alături de Henri Matisse, André Derain și Raoul Dufy - ai fauvismului, mișcare artistică din anii 1904 - 1908, care punea accentul pe intensitatea culorilor în pictură.
Maurice de Vlaminck was a French painter. Along with André Derain and Henri Matisse he is considered one of the principal figures in the Fauve movement, a group of modern artists who from 1904 to 1908 were united in their use of intense colour. Vlaminck was one of the Fauves at the controversial Salon d'Automne exhibition of 1905.
Los Angeles, 1990, pp. 134, 151 n. 26, p. 320, colorpl. 143, compares this picture to a postcard of the same view near Vlaminck and Derain's shared studio on the Île de Chatou, at the base of the Pont de Chatou, facing downriver with the "grander riverside houses of Chatou at the right" [see Ref. Rewald 1989]; comments that Vlaminck's ...
4 de jun. de 2016 · Maurice de Vlaminck (1876 – 1958) è stato un pittore francese che ha saputo farsi riconoscere attraverso un’arte libera da vincoli e di grande impatto emotivo. Il tema più caro all’artista è il paesaggio naturale , che verrà reinterpretato in diverse chiavi a seconda del periodo storico e delle vicissitudini personali del pittore.
