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Invincible [2024] Directed by: Vincent René-Lortie. Written by: Vincent René-Lortie. Produced by: Samuel Caron. Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘The Penitent Saint Peter’ was created by Guido Reni in Baroque style.
Artist: Reni, Guido. One of several versions by Reni, Saint Sebastian reflects the demand for images of the saint due to his role as a protector against plague, but also to the story of his martyrdom which provided an appropriate setting for a male nude. Although Reni’s painting was highly prized by our founders, it was catalogued in 1880 as ...
It is a partial copy of a painting by Guido Reni in the Galleria Nazionale d’Arte Antica di Palazzo Corsini in Rome (inv. 1437). The comparison between the two paintings has made it possible to identify the character, as none of the saint’s attributes – such as the skull or the jar of ointment – appear in the painting in Madrid.
Guido Reni (Italian pronunciation: [ˌɡwiːdo ˈrɛːni]; 4 November 1575 – 18 August 1642) was an Italian painter of high- Baroque style. He painted primarily religious works, as well as mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School, and his ...
28 de mar. de 2023 · Guido Reni. Museo Nacional del Prado. Madrid 28/3/2023 - 9/7/2023. Esta ambiciosa exposición, con el patrocinio exclusivo de la Fundación BBVA, incluye casi un centenar de obras procedentes de más de 40 museos, instituciones y colecciones públicas y privadas en Europa y América para ofrecer una completa visión de la trayectoria de este ...
6 de dez. de 2018 · Guido Reni (Bolognese, 1575 - 1642 ), Head of Saint Francis, before c. 1632, black, red and white chalk on blue laid paper, Ailsa Mellon Bruce Fund 1972.5.1 Short title R-20100106-0044.jpg
Saint Sebastian (c. 1615) by Guido Reni. Saint Sebastian is a c. 1615 oil on canvas painting by Guido Reni, now in the Capitoline Museums in Rome. It is one of three similar treatments of the subject produced by the artist - the others are now in the Palazzo Rosso in Genoa (c.1615) and another in the Rhode Island School of Design Museum in Providence (c.1615 or c.1630s).
