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Art Term. Frottage is a surrealist and ‘automatic’ method of creative production that involves creating a rubbing of a textured surface using a pencil or other drawing material. Max Ernst. The Entire City (1934) Tate. © ADAGP, Paris and DACS, London 2024. The technique was developed by Max Ernst in drawings made from 1925.
A Dada and Surrealist painter, sculptor, and printmaker, Ernst experimented with the technique of frottage, or rubbing, in an attempt to probe the unconscious. He created these images by rubbing various materials—wood, crumpled paper, crusts of bread—with a pencil or crayon through a sheet of paper, then allowing the resulting textures to ...
A key contribution to this movement was his invention of frottage, a technique of placing paper over a textured material, such as wood grain or metal mesh, and rubbing it with a pencil or crayon to achieve various effects.
Grattage. In 1927, Max Ernst developed the grattage as an application of the frottage technique in painting. Richly textured, relief-like materials such as wood, wire mesh, pieces of broken glass, and cord were placed under a canvas primed with numerous layers of paint.
O frottage (do francês “esfregar”) é uma técnica artística que consiste em colocar uma folha de papel sobre um objecto texturizado. Depois, com um lápis, esfrega-se sobre o papel para obter as texturas da superfície. Esta técnica, aparentemente tão simples, foi concebida por Max Ernst por volta de 1925. Por esta razão, esta ...
Ernst called his process frottage (French for “rubbing”) and claimed it as a form of Surrealist automatism, whereby an artist attempts to let the unconscious guide his hand in the creation of an image.
30 de dez. de 2014 · In 1925, Ernst began using the technique of frottage, which involves laying a sheet of paper over a textured surface and rubbing it with charcoal or graphite (the same process can be used to create a rubbing of a coin or an engraved surface). Ernst would typically use textured surfaces as passages in a larger composition.
