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  1. 21 de ago. de 2012 · Homogenic is Björk's third album, released in September 1997. It was recorded throughout August 1996-97 at her home in London & El Cortijo in Spain. This album was originally to be recorded & produced at her home in London, but it had to be halted after she survived a murder attempt by a stalker named Ricardo López, who mailed her a letter bomb rigged ...

  2. 15 de nov. de 2020 · Released : 1997 Length : 43:35 Language : English Label : One Little Indian

  3. In Frankreich wurde Homogenic für mehr als 500.000 verkaufte Tonträger mit zweifachem Platin ausgezeichnet. Das Cover-Foto des Albums stammt von dem englischen Mode-Fotografen Nick Knight, der für viele Fotografien von Björk verantwortlich zeichnet. [1] Die Hülle wurde von dem Modedesigner Alexander McQueen entworfen.

  4. 22 de set. de 1997 · Björk. ALTERNATIVE · 1997. “I’m the hunter/I’ll bring back the goods,” Björk intones on Homogenic’s spooky, skittering opener. In fact, the Icelandic superstar’s third album would prove to be one of the most highly regarded releases of her career, a rippling tapestry of techno innovation and orchestral songcraft.

  5. baike.baidu.com › item › HomogenicHomogenic_百度百科

    1997年Björk发行专辑. 《Homogenic》是冰岛唱作女歌手比约克的第三张录音室专辑,专辑的音乐制作人由比约克、马克·贝尔、盖伊·西格斯沃思、Howie B担任,唱片内部共收录十首歌曲,于1997年9月22日通过One Little Indian发行 [6]。. 1998年2月,《Homogenic》获得 第40届 ...

  6. 22 de set. de 1997 · Listen free to Björk – Homogenic (Hunter, Jóga and more). 10 tracks (). Homogenic is the third studio album by Icelandic recording artist Björk. It was released on 22 September 1997 in the United Kingdom by One Little Indian Records and in the United States by Elektra Entertainment. Produced by Björk, Mark Bell, Guy Sigsworth, Howie B, and Markus Dravs, the album marked a stylistic ...

  7. 6 de mai. de 2007 · With Homogenic, Björk expressed and dissected her disharmony with the physical world by diving headlong into the metaphysical, and by doing so she took the groundbreaking sonics of the electronic maestros before her—808 State, Kraftwerk, Brian Eno, and Stockhausen, whose influence can be heard on Post’s “Headphones”—and gave it living, breathing humanity.