Resultado da Busca
3 de out. de 2023 · The Northern Renaissance European Sculpture and Decorative Arts 1520–1630 Introduction. Works of art shaped the Renaissance, a rediscovery of antiquity that began in the fifteenth century. Traders and traveling artisans spread prints illustrating Greek and Roman art, architecture, and manuscripts across the Alps from Italy.
Beginner’s guide: Northern Europe in the 15th century. Much changed in northern Europe in the fifteenth and sixteenth centuries. 1400 - 1500. Some of the most important changes in northern Europe include the invention of the printing press, the formation of a merchant class of art patrons that purchased works in oil on panel, the Protestant Reformation and the translation of the Bible from ...
4 de out. de 2021 · It reveals Gallego’s interest in the Netherlandish (Northern Renaissance) visual idiom, which a great deal of Spanish artists did in the second half of the fifteenth century. His use of realistic details, crumpled drapery, angular bodies, and detailed landscape all parallel Netherlandish artists.
This region during the 15th century is often referred to, today, as the Burgundian Netherlands. The court of the Dukes of Burgundy were the most important patrons of the early Northern Renaissance, but newly wealthy private citizens also commissioned art as part of a growing interest in private meditation and prayer.
It is at this point that we touch upon the heart of the problem of defining the Renaissance. In the fifteenth century, Italy was not the only breeding ground for cultural developments: Burgundy can be seen as a cultural alternative.23 But if we accede to the idea of a multi-poled Renaissance, then we should also accept another definition of it ...
Those artists tended to study under Italian masters, then return to their countries of origin to do their own work. By the middle of the fifteenth century, a "Northern Renaissance" of painters was flourishing in parts of northern Europe, particularly the Low Countries (i.e. the areas that would later become Belgium and the Netherlands).
BURGUNDY AND NETHERLANDISH ART IN FIFTEENTH-CENTURY EUROPE Hanno Wijsman* Everyone who has studied medieval or modern history knows that the periodisation of the eras on either side of the Renaissance provides much food for thought. his contribution aims irst to address the usefulness of the widespread concept of the ‘Northern Renaissance’. his will inevitably involve an examination of the ...
