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Genres of horror fiction, a genre of fiction that is intended to disturb, frighten or scare. Horror is often divided into the sub-genres of psychological horror and supernatural horror , which are in the realm of speculative fiction .
Detective fiction is a subgenre of crime fiction and mystery fiction in which an investigator or a detective—whether professional, amateur or retired—investigates a crime, often murder. The detective genre began around the same time as speculative fiction and other genre fiction in the mid-nineteenth century and has remained extremely popular, particularly in novels. [1]
t. e. LGBT themes in horror fiction refers to sexuality in horror fiction that can often focus on LGBTQ+ characters and themes within various forms of media. It may deal with characters who are coded as or who are openly LGBTQ+, or it may deal with themes or plots that are specific to gender and sexual minorities .
Gothic fiction continues to be extensively practised by contemporary authors. Many modern writers of horror or other types of fiction exhibit considerable Gothic sensibilities – examples include Anne Rice, Susan Hill, Billy Martin, Silvia Moreno-Garcia, Carmen Maria Machado, Neil Gaiman, and Stephen King.
Horror ( Latijn voor verschrikking) is een genre van verhalen waarbij het de bedoeling is de lezer of de toeschouwer als vorm van amusement angst aan te jagen. Dit kan door bijvoorbeeld angstige situaties of wezens ten tonele te voeren. Deze wezens kunnen zowel fantastisch ( vampiers, spoken) als realistisch ( seriemoordenaars) zijn.
The Amityville Horror is a book by American author Jay Anson, published in September 1977. It is also the basis of a series of films released from 1979 onward. The book is based on the claims of paranormal experiences by the Lutz family, [1] but has led to controversy and lawsuits over its truthfulness.
They drove a stake through the heart of Paole’s corpse and burned it. His four supposed victims’ bodies were treated the same way. Despite these precautions, ten more people died of mysterious circumstances in 1731, and the village blamed Paole. Johannes Fluckinger made the report, corroborating the villagers’ claims.
