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Arthur Massinger was a long-time trusted servant first to Sir Henry Herbert, 2nd Earl of Pembroke, and then to his heir Sir William Herbert, 3rd Earl of Pembroke, until Arthur's death in 1603. On May 14, 1602, Philip Massinger entered as a commoner of St. Alban Hall, Oxford. The Earl of Pembroke paid his college expenses during the four years ...
Philip Massinger (baptized 24 November 1583 - 17 March 1640) was an English poet and dramatist. His finely plotted plays are noted for their satire and realism, and their political and social themes. Massinger was probably born at Salisbury. His father appears to have been a retainer of the Earl of Pembroke, by whom and by Queen Elizabeth he was employed in a confidential capacity. Massinger ...
Massinger is not simply a smaller personality: his personality hardly exists. He did not, out of his own personality, build a world of art, as Shakespeare and Marlowe and Jonson built. (p. 217) The ability to perform that slight distortion of all the elements in the world of a play or a story, so that this world is complete in itself, which was ...
Philip Massinger (born 1583) was an English dramatist. His finely plotted plays, including A New Way to Pay Old Debts, The City Madam and The Roman Actor, are noted for their satire and realism, and their political and social themes.
Philip Massinger, (24 de novembro de 1583 - 17 de março de 1640), dramaturgo britânico. "Aquele que fosse governar os outros deveria primeiro ser senhor de si mesmo." - He that would govern others, first should be The master of himself,
Philip Massinger (1583, Salisbury – 17. března 1640, Londýn) byl anglický dramatik pozdní renesance (období tzv. alžbětinského divadla ), proslulý zejména svou komedií A New Way to Pay Old Debts ( 1625 , Nový způsob jak platiti staré dluhy).
Philip Massinger (1583–1640) has long been a challenging subject for criticism. For many, he was definitively put to rest by T. S. Eliot’s notorious 1920 essay, which in no uncertain terms declared his work ‘inferior’ and accused him of having ‘initiated’ the historical split between emotion and intellect that Eliot was famously to dub ‘dissociation of sensibility’.
