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Marion Margaret Violet Manners, Duchess of Rutland was a British artist and noblewoman. A granddaughter of the 24th Earl of Crawford, she married Henry Manners in 1882. She was styled the Marchioness of Granby from 1888 to 1906, when Manners succeeded as Duke of Rutland. She had five children, including the 9th Duke of Rutland and the socialite Lady Diana Cooper. Though she had no formal ...
'Portraits of Men and Women' collects fifty-one portraits drawn by Violet Manners, then Marchioness of Granby and later the Duchess of Rutland. Those drawn include a variety of British royalty, politicians and socialites of the time, including Queen Victoria, Mary of Teck, and Lord Charles Beresford. Nineteen of the fifty-one portraits are hand signed by the subjects; this book is signed by ...
29 de abr. de 2024 · Reproducciones De Bellas Artes Marchioness of Granby, Later Duquess of Rutland (1856-1937), Mother of Marjorie, Violet and Diana Manners (autoretrato), 1891 de Violet Manners (1856-1937) | WahooArt.com
Violet Manners, Duchess of Rutland ... The Marchioness of Granby as Mary Isabella Duchess of Rutland after Cosway | Museum number 1931,0724.192 ...
Marion Margaret Violet Manners, Duchess of Rutland (née Lindsay; 7 March 1856 – 22 December 1937) was a British artist and noblewoman. A granddaughter of the 24th Earl of Crawford, she married Henry Manners in 1882. She was styled the Marchioness of Granby from 1888 to 1906, when Manners succeeded as Duke of Rutland. She had five children, including the 9th Duke of Rutland and the socialite ...
Artist; wife of 8th Duke of Rutland Never formally trained in art, Violet Manners was one of the first exhibitors at the Grosvenor Gallery when it opened in 1877, and she continued to exhibit extensively throughout her life, including at the Royal Academy and the Fine Art Society. She published a selection of her Portraits of Men and Women, drawings of people in her social circle, in 1900 ...
This is a bust sculpture of the Marchioness of Granby, also known as Violet, a talented artist. Her friends described her as slender and ethereal with 'dark, sad, beautiful eyes' and 'a mysterious detachment'. George Frampton sculpted her wearing her distinctive flowing clothes.
