Resultado da Busca
This sketch provides a good example of Lely’s working method as one of the most successful portraitists in England in the second half of the seventeenth century. Following the example of Anthony van Dyck, Lely painted only the sitter’s head in his or her presence, sometimes laying in an outline for the pose and costume.
8 de mai. de 2024 · Peter Lely (1618–1680) Alternative names. Sir Peter Lely, Peter Lelio, Peter Lilley, Peter Lilly, Peter Lylly, Pieter Lelij, Birth name: Pieter van der Faes. Description. Dutch painter and art collector. Date of birth/death. 14 September 1618 / 1618. 30 November 1680. Location of birth/death.
Peter Lely. Porträt (Lithografie aus der Künstler-Galerie von Maximilian Franck 1818) Zwei Damen der Familie Lake, um 1650. Henrietta Maria von Frankreich, 1660. Sir Peter Lely (eigentlich Pieter van der Faes, * 14. September 1618 im westfälischen Soest; [1] † 30. November 1680 in London) war ein englischer Maler niederländischer Herkunft.
Peter Lely. George Monk (1608-69), eerste hertog van Albemarle. Engels admiraal en staatsman. Některá data mohou pocházet z datové položky. Sir Peter Lely (* 14. září 1618, Soest – † 30. listopad 1680, Londýn) byl nizozemský malíř činný v Anglii .
Sir Peter Lely, född Pieter van der Faes 14 september 1618 i Soest i Westfalen, död 30 november 1680 i London, var en engelsk målare av nederländskt ursprung. Han utsågs till kunglig hovmålare vid det engelska hovet under kung Karl II:s regeringstid och är berömd för sina porträtt av den engelska aristokratin .
This picture forms one of the ‘Windsor Beauties’ series, a set of eleven portraits of celebrated women at the Restoration court painted by Sir Peter Lely. The series was commissioned by Anne Hyde, Duchess of York, probably around 1662-5. Pepys recorded on 21 August 1668 that he ‘did first see the Duke of York’s room of pictures of some Maids of Honour, done by Lilly: Good, but not like ...
Sir Peter Lely, who was born in Germany to Dutch parents, received his early artistic training in Haarlem before moving to England c.1643, where he built up a successful practice working for both Royalists and Parliamentarians. By 1660 he was one of the most celebrated artists in Britain; he was appointed Limner and Picture Drawer to the Charles II that year and granted an annual pension the ...
