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  1. Jyväskylä] Jyväskylä, Catherine and Isabella Jagiellon – Creating a Bond to the Late Sister 11:50–12:10 Karolina Mroziewicz, Uniwersytet Jagielloński, [Jagiellonian University], Kraków, The Sixteenth-Century Iconography of Isabella Jagiellon and Its Reception in Poland and Hungary 12:30–13:30 Discussion and lunch break

  2. Recenzija, Prikaz slučaja. Book review of Máté, Ágnes and Oborni, Teréz (eds), Isabella Jagiellon, Queen of Hungary (1539-1559), (Budapest: Research Centre for the Humanities, 2020), ISBN: 978-963-416-214-8, 362pp.

  3. Other resolutions: 153 × 240 pixels | 307 × 480 pixels | 491 × 768 pixels | 654 × 1,024 pixels | 2,029 × 3,174 pixels. Original file ‎ (2,029 × 3,174 pixels, file size: 5.1 MB, MIME type: image/jpeg) This is a file from the Wikimedia Commons. Information from its is shown below. Commons is a freely licensed media file repository.

  4. Painting on copper plate. [Muzeum Narodowe w Krakowie, revised 2018] Portrait of Isabella Jagiellon (1519-1559), daughter of King Sigismund I and Bona Sforza; through her marriage to John Zápolya, Voivode of Transylvania and King of Hungary she became Queen Consort of Hungary. Attribution.

  5. John Sigismund Zápolya. John Sigismund Zápolya or Szapolyai ( Hungarian: Szapolyai János Zsigmond; 7 July 1540 – 14 March 1571) was King of Hungary as John II from 1540 to 1551 and from 1556 to 1570, and the first Prince of Transylvania, from 1570 to his death. He was the only son of John I, King of Hungary, and Isabella of Poland.

  6. Sigismund I Jagiellon to Ioannes DANTISCUS, Cracow, 1543-01-29: 43: IDL 5455: Samuel MACIEJOWSKI to [Ioannes DANTISCUS], Niepołomice, 1543-09-01: 44: IDL 2717: Jan Benedyktowicz SOLFA to Ioannes DANTISCUS, Warsaw, 1544-04-20: 45: IDL 2919: Maciej KALECKI of Mąkolin to Ioannes DANTISCUS, Vilnius, 1546-03-02: 46: IDL 2942

  7. Isabella Jagiellon, whose upbringing was imbued with Italian influences, may have chosen her motto as a result of her exposure to this culture.5 In this study, we will take a look at both published and unpublished contemporary narratives regarding the loss of Buda in 1541 in which Isabella’s role stands out.6 We will start with the “more literary” works intended for a broader audience ...