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  1. View on Amazon. 2. Julia (1977) “Julia” is a drama film released in 1977, directed by Fred Zinnemann and starring Jane Fonda, Vanessa Redgrave, and Jason Robards. The film is based on the autobiographical writings of playwright Lillian Hellman, who was a friend of Julia, a young anti-fascist activist killed by the Gestapo during World War II.

  2. 30 de jan. de 2022 · Und neuerdings darf sie sich nun doch endlich Dame Vanessa Redgrave nennen. Bei den New Year Honours 2022 wurde sie für ihre Verdienste in der Schauspielerei gewürdigt und lehnte dieses Mal nicht ab. „Ich bin überrascht“, sagte Dame Vanessa, „und dankbar, ein Teil dieser wundersamen Gruppe britischer Künstler zu werden, deren Arbeit mich und das Publikum auf der ganzen Welt ...

  3. 21 de fev. de 2010 · Gostaríamos de exibir a descriçãoaqui, mas o site que você está não nos permite.

  4. 25 de jan. de 2016 · Vanessa Redgrave ganhou o prêmio de Melhor Atriz no Festival de Cannes e perdeu a estatueta do Oscar no clássico empate entre Katharine Hepburn e Barbra Streisand, mas sua excepcional performance ainda é lembrada quando seu nome surge nos holofotes. – por Matheus Bonez . Júlia (Julia, 1977) O principal nome nos créditos é o de Jane Fonda.

  5. Vanessa Redgrave se narodila 30. ledna 1937 v Londýně. Je dcerou herců Michaela Redgravea a Rachel Kempsonové. Její bratr Corin a sestra Lynn se také uplatnili v herecké branži. Do svých čtrnácti let se pilně věnovala baletu a jen díky svému vysokému vzrůstu se musela kariéry baletky vzdát. Po úspěšném složení ...

  6. Her brother Corin Redgrave (1939-2010) and sister Lynn Redgrave (1943-2010) were both actors. She began her career in theatre in 1958 with the Royal Shakespeare Company. She made her movie debut in 1966 in Morgan, a Suitable Case for Treatment, followed by Blowup. In 1967, she appeared in the musical Camelot, opposite Richard Harris.

  7. 9 de fev. de 2021 · Vanessa Redgrave and Miriam Margolyes, mates for 50-odd years, start the series off with a chat about nerves, Chekhov and Barbara Windsor. The Guardian’s stage editor, Chris Wiegand, listens in.

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