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German architect (1871-1925) This page was last edited on 25 May 2024, at 23:50. All structured data from the main, Property, Lexeme, and EntitySchema namespaces is available under the Creative Commons CC0 License; text in the other namespaces is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.
August Endell moved to Munich in 1892 where he intended to be a scholar, studying psychology, philosophy, German art, and literature, until he met Obrist, an encounter that turned him toward art.
The German architect August Endell (1871-1925) is best known for his idiosyncratic buildings and interiors. As the first monographic study on his work in English, this dissertation uncovers the little-known design philosophy behind his works, and elucidates the intellectual origins and career of his important theory of experiential form. Endell was a polymath versed in scientific philosophy ...
It was left to the German architect August Endell (1871-1925) to distance art from a slavish imitation of nature. He was looking to define an art that “was based on a feeling of pleasure and on the pure joy of form and color.”. Endell had studied philosophy, psychology, and mathematics at Munich University, but in the end became a self ...
August Endell - eine Schlüsselfigur des deutschen Jugendstils. Sein erstes und zugleich bekanntestes Werk war die Fassadengestaltung in Form eines Drachens für das Fotoatelier ELVIRA in München 1896/97. Ein weiteres Glanzlicht ist seine Gestaltung der "Hackeschen Höfe" in Berlin. Die frühe Phase seiner künstlerischen Tätigkeit war ...
archINFORM-Homepage von August Endell (*1871 †1925) – Deutscher Architekt, Innenarchitekt, Autor, Designer und Schriftsteller, tätig in Breslau [mit Projektliste]
5 de abr. de 2008 · August Endell’s Atelier Elvira was a Munich studio building whose exterior decoration of a very stylised dragon creature manages to be even more exaggerated than similar work by Antoni Gaudí. Munich was the centre of German arts and crafts and produced much home-grown Art Nouveau but this eruption of bizarre plasterwork in an otherwise mundane street was still surprising.
