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Traditionally identified as the woman who was a sinner and wept on Christ’s feet and wiped away her tears with her hair (Luke 7:36-50), Mary Magdalene is shown here as the hermit saint she became upon giving up her life of moral decadence, after her encounter with the Savior.
Paolo Veronese`s Penitent Magdalene, 1583, reflects the change occurring in Venetian religious painting around 1580. On one hand, the new order of priorities imposed by the Council of Trent (1545-63) emphasised subjects such as the Eucharist, penitence and the martyrdom of the saints.
The Penitent Magdalene shows to us the canny way in which Artemisia could adapt her style and subject matter according to the perceived tastes and interest of her audience. Indeed, in another version of the same subject, probably painted in Rome c. 1623–25 for an unknown patron, the artist has returned to a far more austere treatment of the subject, devoid of satin, jewels, or any other props.
The Penitent Magdalene (titled Repentant Mary Magdalene in the Hermitage) is a 1560s oil painting by Titian (Tiziano Vecellio) of Saint Mary Magdalene, ...
Invincible [2024] Directed by: Vincent René-Lortie Written by: Vincent René-Lortie Produced by: Samuel Caron Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom.
Title: The Penitent Magdalene; Creator: Domenikos Theotokopoulos, called El Greco; Date Created: ca. 1580-1585; Physical Dimensions: Unframed: 40 x 32 1/4 inches (101.6 x 81.92 cm) Framed: 50 7/16 x 42 x 3 5/8 inches (128.11 x 106.68 x 9.21 cm) Rights: Purchase: William Rockhill Nelson Trust; Medium: Oil on canvas; Culture: Spanish
The Penitent Magdalene is a painting of saint Mary Magdalene by Titian dating to around 1531, signed 'TITIANUS' on the ointment jar to the left. It is now in the Sala di Apollo of the Palazzo Pitti in Florence, Italy.
