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  1. Sabotage, released in the United States under the title The Woman Alone, is a 1936 British espionage thriller helmed by Alfred Hitchcock. The film stars Sylvia Sidney, Oskar Homolka, and John Loder and draws loose inspiration from Joseph Conrad's 1907 novel, The Secret Agent.

  2. 30 de mar. de 2024 · If you want an early Alfred Hitchcock film that shows his core traits and skills in a tight 76-minute package, try “Sabotage” (1936). This film from his British black-and-white era illustrates the basic principles of low-level spy-games plotting in London’s between-wars era.

  3. A Scotland Yard undercover detective is on the trail of a saboteur who is part of a plot to set off a bomb in London. But when the detective’s cover is blown, the plot begins to unravel.

  4. Comentários. Notícias. Assista Agora. 12 - Não recomendado para menores de 12 anos 76 minutos. O sr. Verloc (Oskar Homolka) é um sinistro agente de uma misteriosa potência estrangeira que executa atos de sabotagem nas pessoas, e para …. Mais. Estreia Mundial: 2 de Dezembro de 1936. Outras datas.

  5. 29 de fev. de 2020 · Alpha DVD (2003) The film was partly shot at Simpson’s, an actual restaurant where Hitch liked to dine. There’s fancy food on the menu, but Ted only has eyes for Mrs. Verloc. When Ted sneaks around the back of the cinema to eavesdrop on the saboteurs, the British comedy playing is Fighting Stock (1935).

  6. 20 de abr. de 2024 · Hitchcock's follow-up to Secret Agent (1936) was, ironically, an adaptation of Joseph Conrad's classic The Secret Agent, renamed Sabotage.Hitchcock was truer to the dark mood of the novel than he was to the details of plot or characterisation: Conrad's Tsarist agents provocateurs plotting to blow up the Greenwich Observatory are here transformed into a vague conspiracy, with no specified ...

  7. 11 de jan. de 2018 · Jan 11 Beginner's Guide to Alfred Hitchcock: Sabotage (1936) Manish Mathur. Beginner's Hitchcock. It can be really jarring to hear a director admit to a mistake, or even concede that a film he or she had made was unsatisfactory. But when a director makes over fifty films even he can see his weaker films. In his interview with Francois Truffaut ...