Resultado da Busca
Ezra Pound referred to The Cantos as, variously, ‘an epic including history’ and, with more muted self-praise, a ‘ragbag’. Yet although it is undeniably a ragbag, there are a number of key themes running through The Cantos. Pound has started out with Imagism, in 1912, and the idea of ‘superposition’: placing, as it were, one image ...
15 de jan. de 2011 · Ezra Pound's Cantos represent some of the highest achievement in 20th century poetry. While mapping the history of man, the Cantos begin with an episode of H...
- 6 min
- 79,2K
- MU51CB0X
Canto XLV. By Ezra Pound. With Usura. With usura hath no man a house of good stone. each block cut smooth and well fitting. that design might cover their face, with usura. hath no man a painted paradise on his church wall. harpes et luz.
13 de jun. de 2020 · https://www.buymeacoffee.com/stretch ///Ezra Pound reading aloud his "Canto I" as only he can conjure it. Find the text here: https://www.poetryfoundation.or...
- 6 min
- 3,7K
- Stretch
Canto III. By Ezra Pound. I sat on the Dogana’s steps. For the gondolas cost too much, that year, And there were not “those girls”, there was one face, And the Buccentoro twenty yards off, howling, “Stretti”, And the lit cross-beams, that year, in the Morosini, And peacocks in Koré’s house, or there may have been. Gods float in the ...
Ezra Weston Loomis Pound foi um poeta, músico e crítico literário americano que, junto com T. S. Eliot, ... Ezra Pound: Canto LXXXI (1967)
Canto VIII was first published in The Criterion, in July 1923 in a group of four cantos (8–11). It is the first canto to deal with the Italian condottiere Sigismondo Malatesta. CITATION FORMATS. Annotations in the List of Works Cited: Contributor name. The Online Companion to The Cantos of Ezra Pound, IV: n.gloss number. The Cantos Project.
