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Katherine Mansfield ( Wellington, 14 ottobre 1888 – Fontainebleau, 9 gennaio 1923) è stata una scrittrice neozelandese, saggista e giornalista, considerata una delle più influenti e importanti autrici del movimento modernista . Scrisse racconti e poesie che esplorano le ansie e le paure, la caducità delle esperienze umane e la sessualità.
Êxtase e outros contos. Capa dura – 14 abril 2023. "A única escrita de que tive inveja na vida" – Virginia Woolf Adorada por Virginia Woolf, Clarice Lispector, Ana Cristina César, entre tantas outras, Katherine Mansfield tem sido uma grande referência para escritoras desde as primeiras publicações. Sua escrita habita o intervalo ...
14 de jun. de 2020 · Katherine Mansfield’s ( 14 October 1888 – 9 January 1923) themes are not hard to discover. In 1918, she set herself the tasks of communicating the exhilarating delicacy and peacefulness of the world’s beauty and also of crying out against “corruption.”. A reader will soon make his or her own list of themes: the yearnings, complexities ...
Katherine Mansfield. Katherine Mansfield Beauchamp nasceu em Wellington, Nova Zelândia, em 1888. Em 1903 mudou-se com as irmãs para Londres para estudar violoncelo na Queen’s College. Mansfield pensava em se tornar violoncelista profissional. Passou a contribuir para o jornal da universidade, tornando-se editora.
Katherine Mansfield. Katherine Mansfield, Geburtsname Kathleen Mansfield Beauchamp (* 14.Oktober 1888 in Wellington, Neuseeland; † 9. Januar 1923 in Fontainebleau, Île-de-France) war eine neuseeländisch-britische Schriftstellerin, die bereits mit 34 Jahren an Tuberkulose starb.
Katherine Mansfield groeide op in Nieuw-Zeeland, in een dorpje nabij Wellington, als dochter van een rijke koloniale handelaar annex bankier. In 1903 verliet ze Nieuw-Zeeland om drie jaar lang te gaan studeren aan het Queen's College in Londen , gespecialiseerd in onderwijs en opvoeding van meisjes en jonge vrouwen.
Katherine Mansfield is a qualified national icon. As an expatriate writing in London and participating in European movements of thought, she had little connection with early New Zealand writing, which afforded her little national recognition to begin with. Her work offers a rich account of a modern woman’s engagement with love, art, solitude ...
