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Valentine. ‘Valentine’ by Carol Ann Duffy is a memorable poem that talks about an onion that the poet gives her partner as a valentine-gift. This poem is one of Duffy’s most famous. It is a love poem of sorts, with a great deal of subversion thrown in. Throughout the text, a reader is presented with a comparison between love and an onion.
Summary. ‘First Love’ by Carol Ann Duffy discusses the memory of first love and how, after a dream, it can still be impactful. In the first lines of this poem, the speaker begins by describing waking up and having experienced a dream. This inspired them to say their first love’s name out loud despite not having spoken it for years.
On May 1st 2009, Carol Ann Duffy became the UK’s twentieth Poet Laureate. She is one of Britain’s best known and most admired poets. Her poems appeal to those who wouldn’t usually read poetry and they appear on the national curriculum. Here, an Observer reviewer celebrates her popularity and her technical adroitness: “Duffy’s poems ...
Structure and Form. ‘The Cliché Kid’ by Carol Ann Duffy is a five- stanza dramatic monologue that is divided into sets of three lines, known as tercets. The poet is written in a simple rhyme scheme of AAA in some of the lines, and in others, the poet uses half rhymes or skips the rhyming pattern entirely.
Not a red rose or a satin heart. I give you an onion. It is a moon wrapped in brown paper. like the careful undressing of love. Here. like a lover. a wobbling photo of grief. I am trying to be truthful. Not a cute card or a kissogram.
Carol Ann Duffy’s most recent collection of poetry is RAPTURE (Picador, Sep 2005 new zealand casino reviews). Picador also publish THE WORLD’S WIFE, FEMININE GOSPELS and NEW SELECTED POEMS 1985-2005. A CD of 10 songs co-written by Carol Ann Duffy with Eliana Tomkin, entitled RAPTURE, recorded by Eliana Tomkin, is available from 15 September ...
Carol Ann Duffy’s The World’s Wife is a collection of poems that explores the lives and experiences of women who have been overshadowed by their male counterparts throughout history. The collection was first published in 1999 and has since become a seminal work in feminist literature.
