Resultado da Busca
17 de abr. de 2024 · Italy. Bernard Berenson (born June 26, 1865, Vilnius, Lithuania, Russian Empire—died Oct. 6, 1959, Settignano, Italy) was an American art critic, especially of Italian Renaissance art. Reared in Boston, Berenson was educated at Harvard University, from which he was graduated in 1887. His first book, The Venetian Painters of the Renaissance ...
21 de abr. de 2020 · Biblioteca Berenson, I Tatti -The Harvard University Center for Italian Renaissance Studies, Bernard and Mary Berenson papers, Photographs. Hollis No. olvwork631213 Berenson collated the notes from his reading of his library in a work that was posthumously published in New York in 1960 by Arnold A. Kpnof, and edited by John Walker , director of the National Gallery of Art and Berenson’s pupil.
BERNARD BERENSON. Butrimonys, Vilna, Lithuania, 1865 - Villa I Tatti, Florence, Italy, 1959. (Art Historian, Art Critic, and Art Collector) Bernard Berenson was one of the most famous and influential connoisseurs of Italian Renaissance paintings and drawings. Born Bernhard Valvrojenski in Lithuania on 26 June 1865 to Albert (originally Alter ...
[1] Bernard Berenson and his wife Mary bought Villa I Tatti in 1905. In 1909 they commissioned the English architect Cecil Ross Pinsent (1884–1963) to supervise a series of extensions and alterations to Villa I Tatti, as well as to design a garden and supervise its planting and construction with the help of the English writer-scholar Geoffrey Scott (1884 – 1929).
View PDF. Mary Berenson (14 February 1864–23 March 1945) Tiffany L. Johnston American expatriate scholar, Mary Berenson (née Whitall Smith) (Fig. 1), collaborated with her second husband, the connoisseur Bernard Berenson, in creating a foundational canon for the field of Italian Renaissance painting with their attributional lists.
3 de jun. de 2019 · Mary Berenson’s influence was also felt in her adroit handling of the constantly tricky business negotiations between her husband and the important art dealer Joseph Duveen. Their home, Villa I Tatti, became a Mecca for an extensive network of significant intellectual, literary, and artistic personalities as well as for art scholars, collectors, and dealers.
The papers contain for both Mary and Bernard Berenson biographical material, diaries, correspondence, and writings, both published and unpublished. There is also an extensive file of "Berensoniana," writings about Berenson and Villa I Tatti, but excluding reviews of publications. The papers are organized into seven series: I. Biographical, II.
