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  1. John Heartfield was born Helmut Herzfeld on 19 June 1891 in Berlin-Schmargendorf, Berlin under the German Empire. His father was Franz Herzfeld, a socialist writer, and his mother was Alice (née Stolzenburg), a textile worker and political activist.

  2. John Heartfield (oorspronkelijke naam Helmut Herzfeld) (Berlijn, 19 juni 1891 - Oost-Berlijn, 26 april 1968) was een Duits dadaïstisch kunstenaar. Hij veranderde zijn naam van Helmut Herzfeld in John Heartfield uit protest tegen het Duitse militarisme en het Duitse leger waarin hij tot 1915 dienstplichtig was.

  3. Há 6 dias · When Germany, a vibrant democracy, spiraled into the grip of fascism, John Heartfield, a lifelong pacifist, used his “art as a weapon” in searing visual critiques of fascist philosophy and Nazi propaganda. These widely distributed images on popular magazine covers and posters pasted on city walls made Heartfield, a Berlin resident, a target.

  4. 13 de out. de 2020 · John Heartfield, l’artista tedesco inventore del fotomontaggio politico come strumento di propaganda. John Heartfield nasce a Berlino nel 1891 ma è costretto a trasferirsi a soli quattro anni prima in Svizzera e poi in Austria dopo che suo padre, uno scrittore socialista, viene accusato di blasfemia.

  5. John Heartfield, Rundfunkinterview, 1966 „Wenn ich nicht Peter Panter wäre, möchte ich Buchumschlag im Malik-Verlag sein. Dieser John Heartfield ist wirklich ein kleines Weltwunder. Was fällt ihm alles ein! Was macht er für bezaubernde Dinge! Eine seiner Fotomontagen habe ich mir rahmen lassen, und aufbewahren möchte man sich beinah alle.“

  6. 21 de nov. de 2022 · De son vrai nom Helmut Herzfeld (1891 - 1968), John Heartfield est un "photomonteur" allemand fortement engagé à travers son œuvre toute entière. Impliqué dans le parti communiste allemand puis membre du mouvement Dada, il luttera avec ses photocollages contre le nazisme et le fascisme. Aragon dira de lui qu'il est « le prototype de l ...

  7. O artista como produtor: John Heartfield e a fotomontagem*. Annateresa Fabris. Ao afirmarem que “o cenário dadá mais complexo não foi nem Zurique nem Paris, mas Berlim, cidade de uma riqueza cultural, social e política excepcional entre 1905 e 1922”, Michel Giroud e Sabine Wolf não levam em conta apenas as manifestações ...

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