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Sir Peter Lely ( Soest, 14 settembre 1618 – Londra, 30 novembre 1680) è stato un pittore olandese, particolarmente attivo in Inghilterra . Venere di Lely. Dal 1640, anno del suo arrivo a Londra, alla morte, fu il pittore più ricercato e noto di tutto il regno d'Inghilterra, successore nel ruolo di ritrattista di Antoon van Dyck.
Title: A Boy as a Shepherd Creator Lifespan: 1618 - 1680 Date: c.1658-60 Physical Dimensions: w756 x h914 cm Type: Painting Medium: Oil null: Paul Tucker has provided the following information from CFM's diaries:E.T. Cook to CFM, 5c Portman Mansions, W., 15 October 1913 (John Rylands University Library, English MSS 1281)[Thanks for notes on Lely's 'Cowley' & 'Nymphs'.
Peter LELY. Soest, Westphalia, 14 September 1618–London, 30 November 1680. Dutch-British painter, draughtsman and collector. After the death of Anthony van Dyck (1599–1641), Peter Lely became the most successful portrait painter in England. His highly organized and prolific workshop established a mode of portraiture that was to dominate ...
Peter Lely (Soest (Duitsland), 14 september 1618 – Londen, 30 november 1680) was een Engelse kunstschilder van Nederlandse oorsprong. Hij was de populairste portretschilder in Engeland vanaf ongeveer 1640 tot aan zijn dood.
25 de fev. de 2024 · Peter Lely (1618–1680) Alternative names. Sir Peter Lely, Peter Lelio, Peter Lilley, Peter Lilly, Peter Lylly, Pieter Lelij, Birth name: Pieter van der Faes. Description. Dutch painter and art collector. Date of birth/death. 14 September 1618. 30 November 1680. Location of birth/death.
Lely was born Pieter van der Faes to Dutch parents in Soest, Westphalia, on 14 September 1618, the son of Johan van der Faes and Abigail van Vliet. As Pieter Lely (Lely being the name of the street in a fasionable quarter of The Hague where his forebears had settled, the house featuring a lily carved on the gable) he is recorded in the minutes ...
Three-quarter-length portrait of Charles II (1630-85), standing in armour, wearing the chain of the Garter, holding a baton in his right hand, and resting his left hand on a helmet below the crown and sceptre. The canvas appears to have been left unfinished by Lely and was probably completed later, possibly in Lelys studio. At a still later period the canvas was enlarged to a full-length but ...
