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  1. Annette Stroyberg nel periodo del matrimonio con Roger Vadim. Le relazioni pericolose (Les Liaisons dangereuses), regia di Roger Vadim (1959) Il testamento di Orfeo (Le Testament d'Orphée, ou ne me demandez pas pourquoi!), regia di Jean Cocteau (1960) Il sangue e la rosa (Et mourir de plaisir), regia di Roger Vadim (1960)

  2. Annette Stroyberg, actrice danoise, à Londres, dimanche 14th décembre 1958.Annette est au Royaume-Uni pour un test d'écran, elle espère un rôle dans le nouveau film les armes de Navarone.Notre photo montre ...Annette est entourée de photographes dans son appartement à l'Hôtel Savoy.

  3. Annette Susanne Strøyberg was a Danish actress and cover girl. Her films included "Les Liaisons dangereuses" (1959), and "Et mourir de plaisir" (1960), which was directed by her first husband, Roger Vadim. She was also notably in an advertisement for Tuborg beer. In 1974 she gave birth to a son, named Pericles. The father was Greek shipping magnate Gregory Callimanopulos.

  4. D' Annette Stroyberg, gebuer als Annette Susanne Strøyberg de 7. Dezember 1936 op der Insel Fünen a gestuerwen den 12. Dezember 2005 zu Kopenhagen, war eng dänesch Schauspillerin. Vun 1958 bis 1960 war si mam Filmregisseur Roger Vadim bestuet dofir ass si och a Filmer als Annette Vadim opgetrueden.

  5. Blood and Roses: Directed by Roger Vadim. With Mel Ferrer, Elsa Martinelli, Annette Stroyberg, Alberto Bonucci. A young heiress - jealous of her cousin's engagement to another woman - becomes obsessed with the legend of a vampire ancestor, who supposedly murdered the young brides of the man she loved.

  6. 9 de mai. de 2024 · Annette Stroyberg. Home. Actividad Actriz. Apodo. Annette Vadim. Nacionalidad. Danesa. Nacimiento 12 de diciembre de 1934. Muerte 12 de diciembre de 2005 a la edad de 70 años.

  7. Annette Stroyberg. Actress: Dangerous Liaisons. Pouty-lipped, kittenish Annette Stroyberg was best known, and briefly known, as the sexy young nubile blonde who replaced bombshell Brigitte Bardot in the late 1950s as the wife and object of exploitation of Svengali-like French director Roger Vadim.