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  1. Eric Cleon Larson (3 de septiembre de 1905 Cleveland, Utah, Estados Unidos - 25 de octubre de 1988 La Cañada Flintridge, California, EE.UU.) fue un animador estadounidense para los Estudios Walt Disney a partir de 1933, y fue uno de los "Nueve ancianos de Disney". En 1915 su familia se mudó a Salt Lake City, donde se interesó por el periodismo y también tomó lecciones de dibujo en secreto ...

  2. Eric Larson was an American animator for Walt Disney Animation Studios starting in 1933 and was one of the "Disney's Nine Old Men". He worked on films, such as Snow White and the Seven Dwarfs, Pinocchio, Fantasia, Bambi, Cinderella, Alice in Wonderland, Peter Pan, Lady and the Tramp, Sleeping Beauty, One Hundred and One Dalmatians, The Sword in the Stone, and The Jungle Book. In 1973, he began ...

  3. In the middle of it all is the overwhelmed Lincoln, battling with his duplicitous secretary of state, William Seward, as he tries desperately to avert a war that he fears is inevitable—one that will eventually kill 750,000 Americans. Drawing on diaries, secret communiques, slave ledgers, and plantation records, Larson gives us a political ...

  4. en.wikipedia.org › wiki › Eric_LarsonEric Larson - Wikipedia

    Eric Cleon Larson (September 3, 1905 – October 25, 1988) was an American animator for the Walt Disney Studios starting in 1933, and was one of "Disney's Nine Old Men". [1] Biography [ edit ]

  5. Eric Larson is on Facebook. Join Facebook to connect with Eric Larson and others you may know. Facebook gives people the power to share and makes the world more open and connected.

  6. The Clogging | Short Film. My roles: Director / Writer / Editor / Producer A man at a party must do the unthinkable after he clogs the only toilet in the apartment. THE CLOGGING is a heart-pounding horror-comedy that's as absurd as it is relatable.

  7. 25 de fev. de 2020 · — Time “Erik Larson, in his suspenseful new book, The Splendid and the Vile, captures the foreboding that settled on London leading up to the bombardment, as well as Churchill’s determination not to give in. . . . Plus, there is Larson’s reliable, cinematic writing and his intimate portrayal of Churchill.”

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