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Third Baron of Baltimore and second Proprietary Governor of Maryland. Born in London, 1629; died at Epsom, Surrey, England, 20 February, 1715. He was the son of Cecilius Calvert, second Lord Baltimore, and Anne Arundel (Calvert). He was Proprietary Governor of Maryland from 1661 to 1684, and Lord
26 de abr. de 2022 · Genealogy profile for Charles Calvert, 14th Proprietary Governor of Maryland Charles Calvert (c.1688 - 1733) - Genealogy Genealogy for Charles Calvert (c.1688 - 1733) family tree on Geni, with over 250 million profiles of ancestors and living relatives.
Charles Calvert (1699-1751) 5th Lord Baltimore MSA SC 3520-195. BIOGRAPHY. BORN: on September 29, 1699, in England; eldest son. IMMIGRATED: in December 1732. RESIDED: in England; in Maryland from December 1732 until July 1733 when he returned to England. FAMILY BACKGROUND. FATHER: Benedict Leonard Calvert, 4th Lord Baltimore (1679—1715).
Charles Calvert, 5th Baron Baltimore (1699–1751), Proprietary Governor of the Province of Maryland. Charles Benedict Calvert (1808–1864), U.S. Congressman from the sixth district of Maryland. Charles Calvert (MP) (1768–1832), English brewer and Member of Parliament. Charles Calvert (painter) (1785–1852), English landscape painter.
His father, Cecil Calvert, sent him to Maryland to be its governor in 1661; he lived here until 1684. He became the third Lord Baltimore after his father's death in 1675. Charles Calvert was the only one of the Lords Baltimore to live in Maryland, although his grandson, the fifth Lord, also named Charles Calvert, visited here in 1732-33.
9 de set. de 2023 · Captain Charles Calvert (1688 – February 2, 1734) was the 14th Proprietary Governor of Maryland in 1720, at a time when the Calvert family had recently regained control of their proprietary colony. He was appointed governor by his cousin Charles Calvert, 5th Baron Baltimore, who in 1721 came into his inheritance.
This painting shows Charles Calvert, 5th Lord Baltimore, at the age of five with one of his family’s slaves. While both are ornately dressed, their identities as master and slave are clearly indicated in the composition of the painting. Although the institution of slavery was well-established in 18th-century Maryland, the expansion of rights ...
