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  1. In his great triptych “The Millennium,” Bosch used oranges and other fruits to symbolize the delights of Paradise. Whence Henry Miller’s title for this, one of his most appealing books; first published in 1957, it tells the story of Miller’s life on the Big Sur, a section of the California coast where he lived for fifteen years.

  2. 9 de set. de 2019 · Big Sur and the oranges of Hieronymus Bosch by Miller, Henry, 1891-1980. Publication date 1975 Topics Miller, Henry, 1891-1980, Miller, Henry, 1891-1980 ...

  3. In his great triptych “The Millennium,” Bosch used oranges and other fruits to symbolize the delights of Paradise. Whence Henry Miller’s title for this, one of his most appealing books; first published in 1957, it tells the story of Miller’s life on the Big Sur, a section of the California coast where he lived for fifteen years.

  4. 1 de jan. de 1980 · I first read Big Sur and the Oranges of Hieronymus Bosch in my early twenties, soon after moving to California from the East Coast. During that first reading, I came to know a Henry Miller I'd never known from his fiction; I was impressed, and inspired.

    • Henry Miller
  5. Big Sur and the Oranges of Hieronymus Bosch (1957), one of the best of Miller's later writings, so deviates from the cultivated "confusion" of the Paris novels as to open with two short chapters entitled "Chronological" and "Topological," telling how Miller came to live at Big Sur and laying out the human, geological, and natural history of the place.

  6. In his great triptych “The Millennium,” Bosch used oranges and other fruits to symbolize the delights of Paradise. Whence Henry Miller’s title for this, one of his most appealing books; first published in 1957, it tells the story of Miller’s life on the Big Sur, a section of the California coast where he lived for fifteen years.

  7. 17 de jan. de 2012 · It tells of the pleasure he takes in an aesthetic brimming with life and intricacy and yet so perfectly simple. Bosch’s oranges aren’t real; they’re representations that come to surpass the real thing. Not natural themselves but spiritual representations of natural artifacts. Similarly, Big Sur isn’t a spontaneous document of people and ...