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  1. 23 de jul. de 2013 · Escape from New York also paved the way for a decade of jut-jawed American action heroes, among them Sylvester Stallone in First Blood (1982), Rambo (1984), and Rambo III (1988), Chuck Norris in Missing in Action (1984), Missing in Action 2: The Beginning (1985), and Braddock: Missing in Action III (1988), and Arnold Schwarzenegger in The Terminator (1984) - directed by James Cameron, who ...

  2. De film speelt zich af in 1997. New York is sinds 1988 een streng bewaakte gevangenis omdat de criminaliteit enorm steeg. Wanneer Air Force One gekaapt wordt, besluit de president via een beveiligingscapsule te vluchten. Het vliegtuig stort neer in New York en de president wordt ontvoerd door de bende van de Duke.

  3. Austin McKinney. ... director of photography: special visual effects. Sara Nelson. ... production accountant: special visual effects. Tony Randel. ... lab liaison: special visual effects (as Anthony Randel)

  4. Num futuro não muito distante, os governantes pretendem diminuir a criminalidade e transformam Nova York numa prisão de segurança máxima. O avião em que viaja o presidente dos EUA sofre um atentado, obrigando-o saltar bem no meio da cidade. A única esperança é colocar em ação o ex-combatente de guerra Snake Plissken (Russel), que ...

  5. Escape from New York. In the not-so-distant future of 1997, crime levels have exploded and Manhattan has been transformed into an anarchic maximum-security prison. When an Air Force One is hijacked and the president is stranded on the island, only special-forces soldier turned mercenary Snake Plissken can save him. IMDb 7.1 1 h 38 min 1981.

  6. Capa dura – 14 dezembro 2021. Discover the thrilling story behind the making of Escape from New York and celebrate its legacy in this visually stunning, exclusive retrospective. Over forty years after the release of the iconic hit, Escape from New York: The Official Story of the Film delves into the archives to showcase the creation of the movie.

    • Capa dura
  7. Escape From New York gets more conventional as it goes along, settling for chases and narrow escapes when it could have had wild social satire as well. Carpenter has a deeply ingrained B-movie sensibility--which is both his strength and limitation. He does clean work, but settles for too little. [27 July 1981, p. 75]

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