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Robert Fielding gives his gratitude to all participants, knowledge-keepers and storytellers past and present involved in this project. All storylines shared in this work belong to Yankunytjatjara Country and have been kept strong by countless generations of Elders and Ancestors who have nurtured and lived them through their knowledge, culture, and language.
19 de jan. de 2024 · Fielding’s selected works reveal cyclical rhythms of day and night within Anangu lands. Flavell’s epic installation began in 2017 with a protest against the Roe8 development and has expanded to a universal cry for the planet”, comments McKnight. Robert Fielding: Kinara pulka irnyani palyanu. Tjintungku kampara utinu
IRITI, KUWARI, NGULA. Robert Fielding is an Aboriginal artist from Mimili community in the APY Lands. His work is a reaction to his heritage and interaction with the white people. His work “in Our Hands” references the Whitlam act of pouring sand into the hands of an aboriginal elder. The work on paper is part of a suite of works to show ...
21 de fev. de 2020 · Robert Fielding Fielding also has familial ties to Afghanistan, through his ancestors who helped open up Australia’s interiors as cameleers. In 2017, Fielding produced a series of long-exposure photographs of abandoned vehicles in the desert, which he painted with reflective materials and lit up with tealight candles.
Student at California State University-Northridge · Education: CSUN · Location: Los Angeles · 1 connection on LinkedIn. View Robert Fielding’s profile on LinkedIn, a professional community of ...
- CSUN
In 1998, Robert Fielding, accompanied by his family, made a return to Mimili. Fielding began his artistic career as a painter and an art worker in the Mimili Maku Art Centre in 2005, working closely with many of the artists whose works feature in the Gallery’s collection, particualy those of the Pumani family.
31 de jan. de 2019 · Robert Fielding Fils d’un enfant de la génération volée, Robert Fielding a grandi influencé par deux cultures bien différentes: la vie urbaine occidentale et la Loi aborigène traditionnelle. Le travail de Robert associe ces deux mondes en utilisant des objets abandonnés de la vie moderne comme moyen d’expression de l’art aborigène traditionnel.
