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  1. George (Alexs Onkel) Jenny (Roses Tochter) Giulietta (Georges Muse) Nebendarsteller: Hugo (Roses Verehrer) Elizabeth (Georges Haushälterin) Marcel (Roses Manager) Aspects of Love ist ein Musical von Andrew Lloyd Webber nach dem 1955 veröffentlichten gleichnamigen Roman von David Garnett. Die Texte schrieben Don Black und Charles Hart .

  2. 6 de mai. de 2024 · Love is a set of emotions and behaviors characterized by intimacy, passion, and commitment. It involves care, closeness, protectiveness, attraction, affection, and trust. Many say it's not an emotion in the way we typically understand them, but an essential physiological drive. Love is a physiological motivation such as hunger, thirst, sleep ...

  3. Aspects of Love is presented at London’s Lyric Theatre from 12th May 2023 under a special arrangement with Really Useful Group Limited. Produced by Nica Burns, it will be an inspiring journey of realising the power of falling for another person. Book your Aspects of Love Ticketstoday!

  4. His theatre credits include: Dr. Dario Albione in Death Takes a Holiday , Charing Cross Theatre, Grandfather/J.P. Morgan in Ragtime, Charing Cross Theatre, George Carson in Geordie Sinatra at the Stephen Joseph Theatre, Major General in The Pirates of Penzance at the Rose Theatre, Baldy in A Man of No Importance at the Union Theatre, Franz/Herr Zeller in The Sound of Music at the London ...

  5. Discover more about Aspects of Love:https://www.andrewlloydwebber.com/shows/aspects-of-love/Follow Aspects of Love everywhere:Twitter: https://twitter.com/as...

  6. Synopsis. Lovers come together, break apart, exchange partners, and return to each other in Andrew Lloyd Webber’s Aspects of Love.Adapted from David Garnett’s novella, the musical follows a group of friends and family and their fluctuating romantic entanglements: Alex Dillingham, a young Englishman who falls in love at first sight with Rose Vibert, a magnetic actress; his uncle, George ...

  7. Wolfgang Jansen: Aspects of Love. In: musicals, Das Musicalmagazin, Heft 66, August/September 1997, Seite 23-24. "So erinnern die Klänge eher an Lehár, zuweilen an Puccinis ´Boheme´. Dennoch bleibt der typische eigene Klang Lloyd Webbers präsent. Da ist schon ein Könner am Werk. Nur umwerfend ist die Musik diesmal nicht.