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'Four' & More: Recorded Live in Concert, an Album by Miles Davis. Released 17 January 1966 on Columbia (catalog no. CL 2453; Vinyl LP). Genres: Modal Jazz, Post-Bop. Featured peformers: Miles Davis (trumpet), Herbie Hancock (piano), George Coleman (tenor saxophone), Ron Carter (bass), Tony Williams (drums), Teo Macero (producer), Fred Plaut (recording engineer), Billy Taylor (liner notes ...
The up-tempo pieces were issued as Four & More, while My Funny Valentine consists of the slow and medium-tempo numbers. Davis biographer Ian Carr notes that the former were "taken too fast and played scrappily", while the Funny Valentine pieces "were played with more depth and brilliance than Miles had achieved before."
8 de nov. de 2023 · Four is a testament to Miles Davis’ enduring legacy as a pioneering figure in the world of jazz. It showcases his ability to push boundaries and challenge established norms. The composition has become synonymous with Davis’ name and continues to serve as a source of inspiration for aspiring musicians and lovers of jazz alike. 10.
Four & More è un album live di Miles Davis, registrato a New York il 12 febbraio 1964 (insieme all'altro album live My Funny Valentine).I due album sono stati pubblicati nel 1992 anche come doppio live con il titolo The Complete New York Concert 1964, mantenendo i rispettivi titoli delle loro uscite singole.
Recorded live in concert at the Philharmonic Hall of Lincoln Center for the Performing Arts in New York City on February 12, 1964. Rear of outer sleeve is gold stamped with the LE number. Mastered from the original master tapes. Remastered by Krieg Wunderlich with assistance from Shawn R. Britton using The Gain2 Ultra Analog System.
In an odd bit of programming, Columbia placed the ballads from Miles Davis' February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP. Davis, probably a bit bored by some ...
商品の説明. In a live set bristling with energy, Miles keeps an exhilarating pace playing essentially the same repertoire of bebop tunes and standards that earlier quintets had played-but with increasing structural and rhythmic freedom. Includes So What; Walkin' Joshua; Four; Seven Steps to Heaven, and more.
