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  1. Xenia Alexandrovna was born on April 6, 1875, at the ‘Anichkov Palace’ in St. Petersburg, Russia. She had five siblings and was the elder daughter of the Imperial Family. On her mother’s side, she was the granddaughter of King Christian IX of Denmark. Her cousins were King Constantine I of Greece, King George V of the United Kingdom, King ...

  2. In einer globalen Welt verbringen immer mehr Menschen immer mehr Zeit in einem Zustand des Wartens. Dementsprechend ist die Welt voller Räume, die dieses Warten ermöglichen und es hervorbringen: Orte wo Einzelne und kleine Gruppen warten, Orte wo sich Menschen massenhaft aufhalten, private und öffentliche Räume des Wartens.

  3. After Nicholas' abdication and violent death, only the repeated pleas of relatives abroad finally persuaded her to leave Russia. In her later years, Xenia became involved in the Anastasia affair, there was a swindle over the sale of her jewels, and she made unsuccessful attempts to recover Romanov money and land as one of the heirs to the Tsars ...

  4. Alexandre Mikhailovich da Rússia (em russo: Александр Михайлович), ( 13 de abril de 1866 – 26 de fevereiro de 1933) foi um membro da família Romanov, um oficial naval, escritor, explorador e cunhado do czar Nicolau II da Rússia, depois de se casar com a sua irmã mais nova, Xenia Alexandrovna da Rússia . Era também ...

  5. 20 de abr. de 2020 · Today mark the 60th Anniversary of the Death of Grand Duchess Xenia Alexandrovna of Russia, who died on this day in 1960! The elder daughter and fourth child of Tsar Alexander III of Russia and Princess Dagmar of Denmark and the sister of Tsar Nicholas II of Russia, Grand Duchess Xenia grew up at the Gatchina Palace,….

  6. Olga Alexandrovna da Rússia (em russo: Óльга Алекса́ндровна Романова; Peterhof, 13 de junho de 1882 – Toronto, 24 de novembro de 1960 ), foi a filha mais nova do czar Alexandre III da Rússia e da czarina Maria Feodorovna, e irmã fo czar Nicolau II . Criada no Palácio de Gatchina nos arredores de São Petersburgo ...

  7. Performing the Archive: Filipa César’s Umgang mit post/kolonialen Filmarchiven Stürmische Tänze: Katherine Dunham und Tatsumi Hijikata im transkulturellen Austausch